No More Fridays Put Who Needs Truth Anyway Back in Front of Rock Listeners
The Tallinn Band’s Ten-Track Debut Album Still Rewards Alternative and Hard Rock Ears
No More Fridays released Who Needs Truth Anyway in October 2021, and the Estonian band is putting their debut album back in front of listeners who missed it. It runs ten tracks, from the opener Underdog through to No Midnight Blues. The record sits where alternative rock, classic rock and hard rock overlap, and it never picks a side.
You can listen to our full playlist which contains the artist’s music, and know more about the artist’s work by scrolling down the page.
What No More Fridays Built Across The Ten Tracks Of Who Needs Truth Anyway
The riffs come from the classic rock end. The delivery comes from the alternative end. Nothing here is polished into anonymity.
No More Fridays describe their own sound as hard rock with a little angel spark in it, and that split runs straight through the tracklist. Pain Before The Pleasure and In Cold Blood sit on the heavier side. Alone and Time To Let Go pull back toward something more exposed. Cuckoo, Make Out and Pussycat land in between, closer to the swagger of the records the band grew up on.
Then there is Kurt Cobain, the ninth track, which tells you plainly which decade the band takes its bearings from. Ten tracks also give the album room to move between loud and quiet, and the sequencing uses it. The record opens hard, then closes on No Midnight Blues rather than on its biggest riff.
Who The Album Is For, From Classic Rock Riffs To Nineties Attitude
The audience here is straightforward. This is for listeners who still want guitars to carry a song.
The band name their own reference points as Dead Sara, PJ Harvey, Tori Amos, Alice Cooper and Courtney Love. That list is useful, because it covers both halves of what the album does. The Alice Cooper end explains the riffs and the theatre. The PJ Harvey and Tori Amos end explains why the quieter tracks hold up best on a second listen.
So the target listener is fairly specific. Anyone who wants nineties alternative attitude on a classic rock chassis will find ten tracks of it. Anyone after polished contemporary radio rock will not, and the band is not pretending otherwise.
It helps that this is a real album rather than a collection of singles. The heavier tracks and the exposed ones are sequenced against each other on purpose, so the record rewards being played straight through.
The Tallinn Band Behind It, And The Coverage That Followed
No More Fridays are based in Tallinn, and almost nothing about the record sounds regionally specific. The band works in an English-language rock idiom that would sit comfortably on a bill anywhere.
They have been at it a while. The group came together in September 2011, put together by vocalist Kristi Täheste, and played their first show in Tallinn that October. Their first single, What A Song, went out at the end of 2011 and was picked as demo of the week by the Estonian station Raadio 2. The name itself came from the band joking about Saturday mornings after a heavy Friday. Who Needs Truth Anyway arrived a decade into that run, and it was their first full-length.
Their own note on the album says more about intent than any genre tag: “MUSIC gives YOU a Life To Remember. Who knows… YOU might just find Your TRUTH in some of the Songs, because ONE thing is for certain… IF IT GETS ANY BETTER, WE WILL FLY.”
Coverage followed a few months after release. The rock blog Eat This Rock picked the album up in February 2022, listing Who Needs Truth Anyway among four new records worth hearing that week and filing the band under alternative rock and hard rock. That is the ordinary route for an unsigned band from a small market: no radio budget, no press campaign, just a blog somewhere deciding the record earned a paragraph.
Where To Follow No More Fridays Across Streaming And Social Platforms
That route is also why the album is being put forward again. It has been available since 2021, it has been written about once, and it has never had the run a record with a marketing budget behind it would get. For readers who look for rock outside the label system, that gap is usually where the interesting things sit.
The band has kept working since. Their Bandcamp catalogue stretches back to 2014, they sell the record directly there rather than relying only on streaming payouts, and newer singles have followed the album. That is a deliberate choice for an unsigned band, and it says something about how seriously they take what they are building.
Listeners can hear the full album on Spotify, buy it on Bandcamp, and find the wider catalogue on Apple Music and SoundCloud. The band posts across Instagram and Facebook, and keeps videos on their YouTube channel.
